2/18/2023 0 Comments The poducer choice![]() This is an outstanding collection where newcomers will discover The RAH Band’s unique talent and long-time fans will get to hear their favourite tracks with a whole new level of polished sound. Including seminal tracks like “Messages From The Stars”, “Perfumed Garden”, “Shadow Of Your Love”, and the never before heard Supanova Remix of “Clouds Across The Moon”. Now, five years after the release of his remix EP of “Perfumed Garden”, friend and fan Martin “Atjazz” Iveson is proud to welcome back this mainstay of the music scene to his label and Atjazz Record Company is ready to spring this incredible collection of classics on the public. ![]() ![]() Renowned not only for his high-quality musical output, but also for the esteem in which artists hold his production abilities, The RAH Band has arranged tracks for acts as world-famous as The Beatles, Simon & Garfunkel and Diana Ross. Citing influences such as multiple Grammy Award-winning producer and artist Ramsey Lewis, The RAH Band’s musical styles encompass jazz, jazz-funk, pop and disco, fusing these together to create an ear-pleasing and genre-spanning catalogue that has consistently engaged and entertained fans since the mid-1970s. Now a selection of tracks from this impressive back-catalogue have been curated and lovingly remastered from the original tapes for release to a new generation.Ī self-confessed “jazz-head”, multi-instrumentalist The RAH Band has worked with luminaries such as Herbie Hancock and members of The Count Basie Orchestra. From “The Orchestrah”, through the popular “Mystery”, to his remix releases in the naughties, The RAH Band has been a respected and cultured producer across many genres. The RAH Band, AKA Richard Anthony Hewson, is a name that has been synonymous with disco-infused jazz funk for nearly five decades. If you are writing a comment for publication, please mark clearly "for publication".THE RAH BAND’S CLASSIC TRACKS REMASTERED FOR A NEW GENERATION!.To contact the MediaGuardian newsdesk email or phone 020 7239 9857.For many BBC staffers, Producer Choice turned out to be no choice at all. It's a pity that there wasn't a simpler way of doing it. Researchers rang up bookshops rather than using the in-house library, because of the cost of borrowing books, while radio producers found it was cheaper to book a hall in London's West End rather than hire a radio theatre in Broadcasting House.ĭefenders of Producer Choice pointed out that with newly introduced quotas for independent production, some way had to be found to find out how much each programme actually cost. "The greatest sound archive in the world is effectively closed to us," said a World at One reporter.Īt a cost of £10 a query, fact-checking was also prohibitively expensive. Staff at Radio 4's World at One and PM were told not to use material from the BBC's gramophone library because the cost was too high. But the programme budget did not stretch to the extra cost of consulting the BBC's pronunciation unit, so they just made their best guess. ![]() There was the radio producer whose leading actor found she did not know how to pronounce a crucial word. In the same year as it was introduced - 1993 - 5,000 BBC staff lost their jobs.Īlong with researchers opting to buy a CD on the high street rather than pay £12 to borrow one, Producer Choice threw up other memorable absurdities. Now one of Simon Shaps' key lieutenants at ITV, Mr Jackson memorably described Producer Choice a decade ago as an "abysmal act of vandalism". Lord Birt claimed that Producer Choice freed up tens of millions of pounds to be ploughed into new programming, by making BBC staff aware for the first time about the true cost of internal products and services.īut the cumbersome internal market came under attack from the likes of Sir David Attenborough, Mark Tully and former BBC entertainment chief Paul Jackson. Now Mr Thompson is doing away with the rest. The "pay as you go" library service disappeared under Mr Dyke. Producer Choice is yet another part of Lord Birt's legacy to be dismantled by his successors, Greg Dyke and Mark Thompson. So no more stories about absurd scenarios such as TV researchers buying music CDs on Oxford Street as a cheaper alternative to borrowing them from the BBC's own library. From next month, a new "common sense" system will be introduced in which different BBC departments will no longer charge each other for goods and services.
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